This is the fifth episode in our ongoing Homeland review series where Pearse and I dissect each episode of season 5 and discuss our thoughts on the show and the real life topics and situations it covers. Via Porkins:
In the latest of our Homeland reviews, Tom and I tackle the latest episode, ¨Better Call Saul.” In true form to this season, the fifth episode completely resets the original storyline and refocuses our attention to the evil Russians. Tom and I discuss this development and how it plays out in the episode. From the bombing of General Yusuf’s plane, to the hack, to the revelation of Alison being a double agent, it is now all about the Russians.
Later Tom and I explore in detail the infighting between the CIA and Mossad depicted this season. We discuss how this actually reveals several truths about the Mossad, yet masks them by protraying Russian intelligence as ultimately responsible for these squabbles. We once again tackle the concept of hyperreality in our discussion of the recent downing of the Russian Metrojet 9268 over Egypt.
As we wind down the conversation we look at a recently declassified Inspector Generals report on the CIA Entertainment Office which paints a very bizarre’ picture of how things actually work in Hollywood. We finish off the conversation by discussing the most insane example of hyperreality and this show: the artists who graffiti-hacked Homeland are making a film about it for Laura Poitras’s film unit at the Intercept.
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