Julian of The Mind Renewed invited me back onto his show to discuss the link between false flag terrorism and training exercises. While this is usually talked about in a very simplistic and historically ignorant way, the method of using a drill or training exercise to cover for a black operation is a real tactic. However its popularity among conspiracy theorists raises the question of whether it is now being used as a means of distracting those who are sceptical of the government accounts of terrorist atrocities. From the 7/7 London bombings to the Anders Breivik massacre to the Boston marathon bombing the emergence of rumours or stories of the attacks coinciding with a training exercise have been seized on as providing proof that the government are (a) lying and (b) secretly behind the attacks. In this conversation we put that idea to the test, recounting some of the history of this tactic being used, the more recent examples that have been interpreted in the same way, and this idea’s appearance in numerous state-sponsored films and TV series.
United 93 was the first and – to date – the only major movie to depict what happened in the skies over the US on the morning of the 9/11 attacks. The film-makers intended it to be as accurate and realistic as possible, so they reached out to the Pentagon and the US Air Force in particular for assistance. However, if anything this contributed to the numerous inaccuracies and problems with the narrative in the movie, as it contains a blend of two different stories told by the Pentagon about their responses on 9/11.
9/11. The 7/7 London Bombings. The Boston Marathon. The Paris Massacre. This episode we take a look at the false flag exercise theory, which has become the default alternative media interpretation of these events. We examine the theory’s history in military deception techniques, its origins as a popular conspiracy theory and how it has been encouraged in state sponsored popular culture.
Charlie Wilson’s War reduces nearly 10 years of the Soviet-Afghan War into an hour and forty minutes of Sorkin-scribed witty dialogue focusing almost entirely on how one alcoholic, womanising congressman helped to raise the billions of dollars that were given to the mujahideen to fight the godless Commie invaders. While we know that CIA entertainment liaison Chase Brandon worked on the film, along with former CIA officer Milt Bearden, there is no documentation on exactly what influence they had. A close analysis of the draft scripts for Charlie Wilson’s War, compared to the finished film, suggest that it was heavily rewritten to suit the Agency’s agenda.