Posts Tagged ‘Bond Films’

Spy Culture in the American Journal of Economics and Sociology

Published March 7th 2017

It is with some pride that I can announce that the American Journal of Economics and Sociology has today published an edition featuring not just one, not just one and a half but two articles that I wrote. The latest issue of AJES focuses on the role of the CIA and DOD in Hollywood and includes articles by Pearse Redmond, Aaron Franz, Tarzie and others.

Exercises and False Flag Terror – Tom Secker on The Mind Renewed

Published February 5th 2017

Julian of The Mind Renewed invited me back onto his show to discuss the link between false flag terrorism and training exercises. While this is usually talked about in a very simplistic and historically ignorant way, the method of using a drill or training exercise to cover for a black operation is a real tactic. However its popularity among conspiracy theorists raises the question of whether it is now being used as a means of distracting those who are sceptical of the government accounts of terrorist atrocities. From the 7/7 London bombings to the Anders Breivik massacre to the Boston marathon bombing the emergence of rumours or stories of the attacks coinciding with a training exercise have been seized on as providing proof that the government are (a) lying and (b) secretly behind the attacks. In this conversation we put that idea to the test, recounting some of the history of this tactic being used, the more recent examples that have been interpreted in the same way, and this idea’s appearance in numerous state-sponsored films and TV series.

ClandesTime 091 – The CIA and James Bond

Published November 6th 2016

What connects JFK, Allen Dulles and the CIA’s invasion at the Bay of Pigs to the movies Thunderball and Goldfinger? The answer is the relationship between the CIA and James Bond. In this episode we look at Fleming’s decades-long relationship with American intelligence, from the OSS through to the CIA, and how Dulles’ friendship with Fleming allowed the Agency to quietly improve their public image via the James Bond novels. We also examine how the CIA were invited to a screening of Goldfinger by Charles Russhon – the military consultant and technical advisor on the early Bond movies. Rounding off with the story of the CIA’s secret support for the movie of Thunderball and its connections to JFK and the Cuban Missile Crisis, this is an epic exploration of the relationships between popular culture, high politics and intelligence.

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