Posts Tagged ‘copycat effect’

ClandesTime 101 – Nightcrawler

Published February 19th 2017

Nightcrawler is one of those rare films that is beautifully written, very well executed and is about something that actually matters. It tells the story of Lou Bloom, a young man in poverty-struck Los Angeles who gets into nightcrawling – filming violent crimes and accidents and selling the footage to TV news. In this episode Pearse and I conduct an extensive analysis and review of the film, exploring many different interpretations that often contradict each other. Is Lou a sociopath, or the product of economic circumstances and a media culture that turns violence into a fetish? Are his cohorts Rick (his assistant) and Nina (the director of the news channel) just as guilty and complicit in what happens? Is his rival nightcrawler Joe Loder actually worse than Lou? These and many more questions are explored in this epic discussion.

ClandesTime 100 – Sex, Violence and Censorship

Published February 12th 2017

Why do we censor films? Intuitively we all know the answer to this question – because there are some things we don’t want to see on the screen. In this episode we examine film censorship, focusing primarily on the treatment of cinematic violence by the MPAA and BBFC. Using Walter Benjamin’s Critique of Violence as a foundation I discuss how societies are attempts to rationalise violence and determine what are legitimate and illegitimate uses of force. We then look at how censorship does not do much to limit the scale or type of violence shown on screen, but instead prevents the depiction of the consequences of violence, the suffering and pain, before talking about how this kind of censorship influences our views of real-world violence, especially that committed by the state.

ClandesTime 096 – Unreal

Published January 8th 2017

Unreal is a gripping and brutal satire of reality TV but it is much more than that. While this might sound like a drama about a trivial subject, the content of Unreal makes it one of the most serious and important TV series of recent years. It follows two female producers as they make a romance-themed reality show, highlighting the degree to which they’re willing to manipulate the contestants in order to produce ‘good TV’. The psychological and moral impact of this on the production crew – particularly the junior producer Rachel – is quite awful, and she rebounds between depression and megalomania as a result. This week we take a deeper look at this series, examining its commentary on what constitutes ‘entertaiment’ and how that is made, through its complex politics of gender and race to the constant use and subversion of stereotypes.

ClandesTime 093 – The Pentagon and the Cinematic Universe

Published November 27th 2016

In less than 10 years Marvel has created the biggest money-making film franchise of all time with the Marvel Cinematic Universe. However, this probably wouldn’t have been possible without the help of the Pentagon. In this episode we examine the rise of the MCU, the Pentagon’s involvement, and the fallout of their disagreements when making The Avengers. We round off looking at the creative implications of the cinematic universe becoming the new model for Hollywood.

FBI investigated Richard Condon over The Manchurian Candidate

Published October 6th 2016

Author and publicist Richard Condon is best remembered for writing The Manchurian Candidate – a biting futuristic satire in which a Medal of Honor winning soldier is brainwashed by the Soviets to try to assassinate the US president. The FBI files on Condon and his most famous book draw numerous connections between the JFK assassination and The Manchurian Candidate (particularly the film adaptation). The Bureau even conducted a background search on Condon before the book was even published, solely due to it depicting the FBI.

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