In less than 10 years Marvel has created the biggest money-making film franchise of all time with the Marvel Cinematic Universe. However, this probably wouldn’t have been possible without the help of the Pentagon. In this episode we examine the rise of the MCU, the Pentagon’s involvement, and the fallout of their disagreements when making The Avengers. We round off looking at the creative implications of the cinematic universe becoming the new model for Hollywood.
9/11. The 7/7 London Bombings. The Boston Marathon. The Paris Massacre. This episode we take a look at the false flag exercise theory, which has become the default alternative media interpretation of these events. We examine the theory’s history in military deception techniques, its origins as a popular conspiracy theory and how it has been encouraged in state sponsored popular culture.
Tomorrow Never Dies is perhaps the most military-heavy Bond film of recent times, benefiting from production support from both the British and American armed forces. Despite this the Pentagon’s Hollywood liaison Phil Strub denied that they provided any assistance to the film-makers. This document proves that Strub is not telling the truth and provides new details of the negotiation struck between the producers and the Pentagon.
The Department of Defense maintains a database summarising its collaboration with Hollywood productions. The master list for this database was released to me two years ago as the DOD Film List and since then I have obtained a handful of entries. Getting a little more creative I asked for entries on over a dozen films and today got a response with details on Iron Man, Iron Man 2, Contact, Tears of the Sun, Indiana Jones, Deja Vu and others. This provides new evidence of the Pentagon rewriting movies to suit their agenda, sometimes substantially altering the scripts in the process.