It is with some pride that I can announce that the American Journal of Economics and Sociology has today published an edition featuring not just one, not just one and a half but two articles that I wrote. The latest issue of AJES focuses on the role of the CIA and DOD in Hollywood and includes articles by Pearse Redmond, Aaron Franz, Tarzie and others.
While I have written about 1973 thriller Scorpio before, documents made available on the CIA CREST database shed new light on this, the first movie to film at Langley. The CIA were not just spying on media coverage of the film as it developed but also had assets within the MPAA keeping an eye on things.
Pearse and I were recently invited onto Black Op Radio with Len Osanic to talk about The CIA and Hollywood. We mostly discussed Ed Lansdale’s involvement in The Quiet American (1958), which butchered the original book in part as a result of Lansdale’s influence on writer/director Joseph Mankiewicz. We also touched on Charlie Wilson’s War and The Good Shepherd, and other recent films that are known or thought to have received support from the Agency.
Die Another Day is widely considered to be one of the worst James Bond films ever made. It’s the one with the invisible car in the ice cave and Halle Berry. The production got limited supported from the US Marine Corps, who recently released a short folder to me from their entertainment liaison office archive.