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Thank you for checking out my support page. There are a variety of options for you to support me and my work.
The best way for you to support my work is through a small monthly subscription.
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I have written two books (and am writing a third). Getting a copy is a great way to support me. And you get a book.
This is a book about secrecy, militarism, manipulation, and censorship at the heart of the world’s leading democracy—and about those who try to fight them.
Using thousands of pages of documents acquired through the Freedom of Information Act National Security Cinema exclusively reveals that the national security state—led by the CIA and Pentagon—has worked on more than eight-hundred Hollywood films and over a thousand network television shows.
The latest scholarship has underestimated the size of this operation, in part because the government has gone to considerable lengths to prevent data emerging, especially in the 21st Century, as the practice of government-Hollywood cooperation has escalated and become more aggressive.
National Security Cinema reveals for the first time specific script changes made by the government for political reasons on dozens of blockbusting films and franchises like Transformers, Avatar, Meet the Parents, and The Terminator.
These forces have suppressed important narratives about: CIA drug trafficking; illegal arms sales; military creation of bio-weapons; the interaction of private armies and oil companies; government treatment of minorities; torture; coups; assassinations, and the failure to prevent 9/11.
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On July 7th 2005 London suffered the worst terrorist attack in its history. Despite one of the largest police investigations ever to take place in Britain, to date not a single person has been found guilty for the atrocity that killed over 50 people.
Using unsealed court documents and declassified intelligence agency files Secrets, Spies and 7/7 takes you on a journey through the labyrinth of disinformation about the bombings. Drawing on over 7 years of research, Tom Secker shows how the official version of events, which blamed 4 British Muslim men, is a mess of contradictions, errors and fantasies.
This unique investigation also explores the ‘War on Terror’ context in which the attacks took place and shows how an alternative look at the evidence suggests some very different culprits to those blamed by the official story.
This book expands greatly on my two documentary films about 7/7 and features a lot of previously unseen material, including dozens of images and 50 pages of documents from the case.