Over the last few weeks a storm has been brewing about the Chinese government’s censorship of American movies, as well as several countries banning or censoring the Chinese co-production Abominable. On this month’s subscriber-only podcast I analyse these controversies for their double standards and general stupidity, and review the recent ...
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Today's entertainment news features an absolute gem of political hypocrisy: Vietnam's one party 'Communist' state has banned the animated kids' movie Abominable, and the Western media are heralding the decision, claiming that Vietnam are standing up to China's censorious one party 'Communist' state.  This is perhaps the dumbest employment of ...
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Recently, Martha Bayles of The Atlantic published a hilariously misleading essay calling for Hollywood to produce more pro-American propaganda, in the face of the Chinese government’s increased role in the entertainment industry. While FAIR have put out a solid rebuttal of Bayles’ hack quackery (hat tip to Max Parry who ...
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A story doing the rounds in the last few days claims that the producers of Top Gun: Maverick changed the decals on the back of his leather jacket in order to 'appease Communist China'.  While the story may be true, not a single report has highlighted the much more egregious ...
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The Last Ship is one of the most popular cable TV shows of recent years, as well as one of the most successful pieces of militainment. In this episode I examine the politics of the show, in particular how it depicts a conflict between the US and China. I look ...
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China is without doubt a major player in Hollywood. Both private investment and state regulations and censorship have played a significant role in the American movie business in recent years. This week I examine the Chinese influence on Hollywood, both in terms of the shape of the industry and the ...
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In 1994 the Chinese government first allowed Hollywood films to be distributed within the country.  Since then the US and China have been in a near-constant state of negotiations over import quotas, profit sharing and market access.  In 2007 the US brought a case before the World Trade Organisation, arguing ...
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While some senior military officials have spoken openly about the possibility of a war between the US and China, the entertainment liaison offices appear to be working to ensure that doesn't happen. Perhaps surprisingly, they have refused to support films, TV shows and video games where China is the adversary ...
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Since launching National Security Cinema last year, Matt and I have encountered a lot of questions about the field. These are our answers to some of the most Frequently Asked Questions and Comments about entertainment liaison offices and the politics of Hollywood films ...
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Most government agencies sign contracts with Hollywood producers when they agree to provide support on a film or TV show. These are called Production Assistance Agreements, and set out the legal terms of the partnership between the government and the production company. In this episode I explore these contracts, how ...
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The first movie to film at CIA Headquarters at Langley was Scorpio in the early 1970s. The last major film was Argo in 2012. Sometime in 2014 the CIA stopped letting film-makers shoot footage on the CIA campus. This week I examine this decision by analysing the last two films ...
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Tomorrow Never Dies is perhaps the most military-heavy Bond film of recent times, benefiting from production support from both the British and American armed forces. Despite this the Pentagon's Hollywood liaison Phil Strub denied that they provided any assistance to the film-makers. This document proves that Strub is not telling ...
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