In this month's subscriber-only podcast I explore several DOD-supported films and the files on them from the Lawrence Suid archive. Focusing in on Air Force One, Deep Impact, The Final Countdown, Firefox and BAT-21 I outline the script changes forced on the film-makers in exchange for military support, from removing ...
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After actor Dominic West suggested that the next James Bond be transgender the commentariat have gone batshit arguing over whether this is a key moment in the struggle for trans rights or another sign that the entertainment industry is dominated by damn commie liberals with their Jewish gay-loving agenda. As ...
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Nazis make the perfect Hollywood villains – instantly recognisable, obviously deplorable and easy to recreate. So why were there no anti-Nazi films until 1939, on the eve of World War 2? This week I explore the history of Nazis in Hollywood in the 1930s, how the German government influenced American ...
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The Spook Who Sat by the Door tells the story of the first African-American to be recruited by the CIA. After becoming disillusioned with the Agency he quits and sets up a black power guerilla army that wages urban war across the United States. According to its writer Sam Greenlee ...
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To unsuspecting movie audiences Pitch Perfect 3 is a piece of lighthearted family-friendly entertainment to be enjoyed and then forgotten almost immediately. Lurking beneath this neutrally-toned surface lies a work of military recruitment propaganda, intelligently crafted to appeal to demographics that the DOD usually has trouble reaching. In this episode ...
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Streaming content on-demand has changed the way people think about their relationship with entertainment, and drastically changed people's viewing habits and behaviour. So in this episode we take a look at Netflix (and other on-demand platforms), the merits and demerits of the streaming model, and ask whether this development will ...
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As the Russian football team stands on the brink of qualification for the World Cup knockout rounds for the first time since the Soviet era, Western media begrudgingly grants them some credit. However, there is no sign of any apology for the years-long propaganda campaign that pre-emptively branded the Russian ...
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The Untouchables TV series (1959-63) was the first of its kind - a police procedural with explicit violence and action.  Up until then most detective stories focused on the investigation, but The Untouchables featured the gunfights and car chases that became staples of the genre by the 1970s.  It was ...
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In 1995 the Pentagon supported an episode of the popular sitcom Home Improvement, where Tim and Jill get to drive tanks at a Marine base. This week we take a deep dive into this episode, its feminist subtext, and the DOD’s political censorship of the script, courtesy of a file ...
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For decades the Eurovision Song Contest has been a platform for projecting soft power and engaging in cultural warfare.  In this month's subscriber-only podcast I look at how Eurovision entries have been used for propaganda and have been subject to political censorship. I discuss this year's winning entry - which ...
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This week I review the most recent Star Wars film The Last Jedi and analyse its politics. I discuss its anti-war and progressive tokenism, and why this is ultimately undermined by being symbolic, and not narrative-based.  None of the ‘progressive’ character moments or dialogue in the film have any meaningful ...
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From racism and sexism to the military-industrial complex, the politics both within the Marvel Cinematic Universe and surrounding it here in the real world are a constant source of news stories and controversy. This week we look at how the world’s biggest film franchise is both the source and the ...
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