When James Webb approached the Pentagon to ask for assistance making his Vietnam war drama Fields of Fire he had every right to expect their support.  A former Marine and short-term Secretary of the Navy he was a military veteran who had written his novel based on his own real-life ...
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When the producers of Clear and Present Danger approached the Pentagon to ask for military support they probably weren't expecting 6 months of script negotiations to get their film into a shape deemed acceptable by the entertainment liaison offices.  Documents from the DOD show how their concerns ranged from the ...
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1994’s Clear and Present Danger is one of the most important movies in the cinema of the war on drugs, depicting black operations by the CIA and US military against a Colombian drug cartel. In this episode I do a deep dive on Clear and Present Danger, and how it ...
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Monster movies are one of the most beloved and distinctive genres in cinema, featuring a winning combination of exotic spectacle, ground-breaking visual effects and reflections on humanity’s relationship with nature. This week I examine the politics and ideas behind some of the most recognisable movie franchises of all time – ...
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The 2005 biographical war film Jarhead is one of a very small number of films set in the first Gulf War.  Despite being based on the autobiography of a Marine who served in Desert Storm the DOD refused to provide it with military support.  But how can a film based ...
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Superman is one of the world’s most recognisable cultural icons. A symbol of human idealism, he has been subject to a range of political and philosophical agendas over the last 80 years. This week I analyse the ideas behind Superman, and how they have manifested and changed throughout the course ...
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Deep Impact is one of a pair of twin films released in 1998 that were based around a giant meteor colliding with earth. The film and its twin, the more successful Armageddon, were both supported by NASA and the Department of Defense. Inevitably, this meant script changes to fit in ...
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One of the veterans of the ambush in Sadr City in April 2004 has revealed that National Geographic's film The Long Road Home is a shameful piece of propaganda that butchers history and ignored offers of help from the squad who were actually in the firefight in order to present ...
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Word about the entertainment liaison offices continues to spread - The Statist Quo podcast recently did a focus episode on the DOD's film office, Phil Strub and the rewriting of movie scripts.  Hosted by Matt, a US Army veteran and ex-convict, the episode focuses in on Black Hawk Down and ...
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The Department of Defense's entertainment liaison office file on the 1996 thriller Executive Decision was, for many years, secreted in a private archive in a library in Georgetown. Now liberated by Matt Alford, one page of the file details the stars who needed to be filmed on-board military aircraft, including ...
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I recently found out that Strub retired from his job as the DOD’s Hollywood liaison last July, though this wasn’t covered by any news outlets and the DOD didn’t bother to tell anyone. In this episode I go through some of Strub’s greatest hits – the good, the bad and ...
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The Pentagon's censorship of movie scripts is fairly well established - I have documented numerous instances on this site. But their ultimate power is the ability to kill a production, to prevent a film being made. While there is little evidence that the Pentagon wields this power knowingly, a rejection ...
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