I recently found out that Strub retired from his job as the DOD’s Hollywood liaison last July, though this wasn’t covered by any news outlets and the DOD didn’t bother to tell anyone. In this episode I go through some of Strub’s greatest hits – the good, the bad and ...
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Newly-released documents on the Institute for Statecraft's Integrity Initiative suggest that they had a hand in the Salisbury poisoning fiasco that dominated the British press last summer. An alternative narrative - whereby the poisoning of Yulia and Sergei Skripal was the work of British military and intelligence figures, in order to transform ...
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A few months ago, then DOD Hollywood liaison Phil Strub gave an interview in which he described the work of the entertainment liaison offices. A document recently released by the US Navy proves that many of Strub's statements simply aren't true, and that the Pentagon are much more aggressive and ...
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Since the publication of National Security Cinema last summer, we have seen an uptick in the media coverage of the Pentagon in Hollywood, much of it originating with the Pentagon itself. This week I take a look at the PR efforts the DOD has embarked upon, about its own PR ...
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China is without doubt a major player in Hollywood. Both private investment and state regulations and censorship have played a significant role in the American movie business in recent years. This week I examine the Chinese influence on Hollywood, both in terms of the shape of the industry and the ...
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This week, I welcome Matt Alford to the show to talk about the media manipulation of the image of the British Royal Family, and how it relates to British foreign policy, including Brexit. From the killing of rare animals to closet fascism, to interfering in politics and criminal investigations, we ...
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The latest release from the US Army's entertainment liaison office provokes many questions. Why did they refuse to support the movie Rampage? Why are the military pitching ideas to studio executives? Who is in charge of the Pentagon's operations in Hollywood? And why does the US Army have a collection ...
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The men and women who are employed by the US military to fight its hegemonic wars often suffer from serious mental illness. Depression, PTSD/trauma, extreme anxiety and stress – these are commonplace among people both within the military and among veterans. In this episode I explore how the Pentagon's entertainment ...
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Since launching National Security Cinema last year, Matt and I have encountered a lot of questions about the field. These are our answers to some of the most Frequently Asked Questions and Comments about entertainment liaison offices and the politics of Hollywood films ...
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12 Strong a.k.a. Horse Soldiers is based on a book about a US Army Special Forces group sent to Afghanistan during the early days of the post-9/11 War on Terror.  Recently released emails from the Army show that they made changes to the script in exchange for their support, including ...
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It isn't often that I see a film that angers and educates me in equal measure. War School: The Battle for Britain's Children is a new documentary exploring the growing peace movement in the UK, and the militarisation of British schools for propaganda and recruitment purposes. It highlights the widespread ...
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Hollywood doesn’t make war films any more. This isn’t entirely true, but compared to the post-WW2 period there are a lot less war films being made today. In this in-depth episode I offer a brief history of war movies and anti-war movies, and how the Pentagon’s policy on supporting films ...
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