The 1968 spy and counterspy classic Ice Station Zebra was inspired by a real life event during the CIA/Air Force Corona spy satellite program.  In April 1959 the satellite Discoverer 2 became the first to send a recovery capsule containing satellite surveillance imagery back to earth, but there was a ...
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Public Enemies is a 2009 historical drama/thriller film that tells the story of the Bureau of Investigation’s manhunt for Public Enemy Number One John Dillinger. In this episode I examine the film, the politics of crime and the romanticising of criminals. I explore these themes in light of FBI documents ...
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Just like other government agencies the FBI are deeply involved in the entertainment industry, collaborating with film andTV producers to polish the Bureau’s public imageand project their messaging into the minds of moviegoers. Documents recently released under FOIA show that the FBI routinely make script changes on movies that they ...
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Compared to the DOD, the US intelligence agencies support a more politically diverse range of movies, from the hi-tech surveillance thriller Enemy of the State to torture porn like Zero Dark Thirty and Unthinkable.  One such controversial movie was Shooter, which depicts a deep state element framing a Vietnam veteran ...
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In this month's subscriber-only podcast I explore several DOD-supported films and the files on them from the Lawrence Suid archive. Focusing in on Air Force One, Deep Impact, The Final Countdown, Firefox and BAT-21 I outline the script changes forced on the film-makers in exchange for military support, from removing ...
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The Department of Defense's entertainment liaison office file on the 1996 thriller Executive Decision was, for many years, secreted in a private archive in a library in Georgetown. Now liberated by Matt Alford, one page of the file details the stars who needed to be filmed on-board military aircraft, including ...
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The Pentagon's censorship of movie scripts is fairly well established - I have documented numerous instances on this site. But their ultimate power is the ability to kill a production, to prevent a film being made. While there is little evidence that the Pentagon wields this power knowingly, a rejection ...
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After actor Dominic West suggested that the next James Bond be transgender the commentariat have gone batshit arguing over whether this is a key moment in the struggle for trans rights or another sign that the entertainment industry is dominated by damn commie liberals with their Jewish gay-loving agenda. As ...
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The Spook Who Sat by the Door tells the story of the first African-American to be recruited by the CIA. After becoming disillusioned with the Agency he quits and sets up a black power guerilla army that wages urban war across the United States. According to its writer Sam Greenlee ...
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The FBI got back to me recently with a response to my request on The Spook Who Sat by the Door, including a few pages from Sam Greenlee's FBI file, which they'd previously claimed they could not find. Amusingly, the version of this file released to my by the National ...
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In September 1977 the renowned Hollywood gossip columnist Rona Barrett appeared on Good Morning America to talk about spy films. Sat alongside her was CIA director Stansfield Turner, who commented that Hollywood movies would make poor training films for CIA spies. Within days a memo was circulating within the CIA ...
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Joanne invited me on the Around the Empire podcast to do a ‘high level compare and contrast’ of two war comedy films set in different wars in Afghanistan: Charlie Wilson’s War and War Machine. The films are similar in many respects – both comedies, both have A-list lead actors, both ...
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