The post-WW2 period was the zenith for military and war movies - over 200 were made in the 1950s, and the same in the 1960s.  According to an entry in the DOD's Hollywood database they provided support to every major military movie for over a decade, putting an entire genre ...
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One of the veterans of the ambush in Sadr City in April 2004 has revealed that National Geographic's film The Long Road Home is a shameful piece of propaganda that butchers history and ignored offers of help from the squad who were actually in the firefight in order to present ...
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Production assistance agreements released by the Defense Department show the United States military used taxpayer money to subsidize part of the production of the National Geographic series, “The Long Road Home,” and a companion documentary ...
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Word about the entertainment liaison offices continues to spread - The Statist Quo podcast recently did a focus episode on the DOD's film office, Phil Strub and the rewriting of movie scripts.  Hosted by Matt, a US Army veteran and ex-convict, the episode focuses in on Black Hawk Down and ...
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The Last Ship is one of the most popular cable TV shows of recent years, as well as one of the most successful pieces of militainment. In this episode I examine the politics of the show, in particular how it depicts a conflict between the US and China. I look ...
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The US Army provided extensive support to the National Geographic film series The Long Road Home, supposedly to ensure it depicted the real-life battle of Sadr City in a 'reasonably realistic' way. But Army emails that I obtained under FOIA show they were more concerned with the fact that a ...
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I recently joined Henri of Fortress on a Hill to discuss the National Geographic drama series The Long Road Home, in light of the over 400 pages of documents that I obtained detailing the US Army's support for the show. We discussed the inaccuracies, misrepresentations and in some cases downright ...
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In this month's subscriber-only podcast I explore several DOD-supported films and the files on them from the Lawrence Suid archive. Focusing in on Air Force One, Deep Impact, The Final Countdown, Firefox and BAT-21 I outline the script changes forced on the film-makers in exchange for military support, from removing ...
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The Department of Defense's entertainment liaison office file on the 1996 thriller Executive Decision was, for many years, secreted in a private archive in a library in Georgetown. Now liberated by Matt Alford, one page of the file details the stars who needed to be filmed on-board military aircraft, including ...
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The 1996 action thriller Executive Decision was an early example of what should be called ‘irregular war films’, pitting a team of special forces commandos against a gang of terrorists, on a hijacked plane headed for Washington DC. In this episode I analyse Executive Decision for it’s bizarre mirroring of ...
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The DOD claim that they only rewrite Hollywood scripts in order to ensure accuracy and to inform the public about the military and its mission. This is total bullshit. One of the best examples comes from the 2016 film Whiskey Tango Foxtrot, where the original script included an event that ...
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I recently found out that Strub retired from his job as the DOD’s Hollywood liaison last July, though this wasn’t covered by any news outlets and the DOD didn’t bother to tell anyone. In this episode I go through some of Strub’s greatest hits – the good, the bad and ...
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